Spray Ink Background Tutorial

I've fallen in love with spray inks!  I own Adirondack and also the Dylusions which are my fave for the bright colours.  I stumbled upon a way to use them as backgrounds for my mandalas - it is more fun for me to draw them on colourful backgrounds. 

Spray inks are water soluable and I find when I don't seal them with something the inks rub off on my hands while drawing - they also are a bit too vibrant for a background with marker so I like to knock them back a bit with a glaze of acrylic paint. 

You can try any kind of paper - these papers I am using in this book are everything from copy paper to wallpaper samples to handmade papers to textbook pages etc.  I find that a page prepared with Gesso is NOT a good foundation for the inks - they tend to slide right off and we are looking for saturation with the inks. 

This is my Big Bertha journal which I am using pretty exclusively at this point for mandalas.

Using the spray inks - spray through a stencil of your choice - once your spraying is complete - press a spare book page into the leftover ink on top of the stencil and you have a page all ready to collage or use some other way - and you haven't wasted the ink ;)

 You can blot any excess drops of ink if desired with a paper towel being careful not to scrub - the inks run and mix really easily. Once the ink is dry - seal it with a glaze of clean water and self leveling gel with a drop or two of white fluid acrylic paint per side of spread.

  I start with a brush dripping with fresh water and carefully (no scrubbing) running it over the page loading more water as needed - and then adding a bit of the white paint and making sure it is even and spreading it adding a brush load of self leveling gel to all the page so the water - paint and gel mix without disturbing the ink too much.  My goal here is to seal the page - and to knock back the intensity of the inks without blending the colours too much.  Of course experiment and find the affects you prefer.

Here is the left side of the spread completed - and I am not thrilled with how it turned out - I had 3 drops of white and I find it covered too much of the colour so I wiped off a drop of the white I had laid out on the right side. 

And the completed page which I will let dry - or speed up with my craft heat gun - and then spray with a varnish - matte finish.  The self leveling gel is sticky and tacky even when dry - the pages tend to stick together pulling off when the page is opened - the spray varnish leaves it with a smooth matte finish that is wonderful and not sticky.  I've worked over the varnish with paint, marker, gel transfers etc with good success. 

 Heh - so I wasn't happy with how that spread turned out - the colours were knocked back a bit too much for me.  I made another spread and took pics along the way.  Same technique - all except instead of using book pages to sop up the leftover ink I pressed another spread from this journal over it - I love the negative effect.

I ended up making several pages to blot up the excess ink and now have a nice little stash for collaging or cutting up into shapes to use in my art journaling.

You now have a colourful page to decorate as you wish - I've used this technique with 300lb Arches cold pressed watercolour paper and collage - it worked wonderfully! 

I hope you enjoyed this tutorial and have fun putting your own spin on it :)

Gel Transfer Tutorial

One of my favourite techniques in my mixed media work is image transfer. Through some trial and error I've come up with what works best for me. 

Supplies used:

-a laser copy of your image

-Golden Self Leveling Gel

-a small sponge

-the substrate of your choice - I've used my altered book journal here in the examples


I start with a laser copy of my selected image - if there is any text in the image I reverse the image in my photo editing software.   In this example I've used a copy of one of my drawings and I've cut around my image since it's a black line image and there is no background to worry about in the image like a photo image would present - more on that later. 

With a brush I apply a layer of the gel on the altered book background that has been previously painted with liquid acrylic using stencils.

 Then a layer of gel is brushed on the image side of the copy - not too thick but you don't want it drying before you attach it to the substrate so it's a balance of the right amount of gel and being quick about laying it on the surface of the substrate.  Please disregard the very messy glue-board I have been using for months and months!!  It has a lovely patina of Gesso and glue ;)

After applying the image on the substrate, starting at the center burnish the paper with your fingers to push out any extra gel and to make certain the copy is adhered well.

Depending on the moisture in the air - drying time can take up to overnight.  This is quite important for a good image transfer - all areas must be dry.  I sometimes use my heat gun to speed up drying time.

When the paper is totally dry - using a wet sponge - soak the paper to rub off the fibers.  Don't rub excessively or you risk taking off parts of the image

Continue using the sponge - rewetting as needed - until most of the paper fibers are rubbed off.  Then switch to your fingers to get a better feel for the image underneath so you don't rub any off.

Keep going taking off fibers - it will seem like you are done - but let it dry and see if you can see any more fibers.

  After letting it dry - my image looks like this - cloudy - more rubbing is necessary for a clear transfer.

 
After more fiber removal - the final transfer -

Here's another example - this time it's a photo - and I've carefully ripped around it instead of cutting around it.  I prefer the look of a ripped image than a straight line - most times.  I have cut around photos before and then intentionally rubbed the edges of the image off while removing the paper fibers to give them a distressed look.
 

I am applying this transfer onto a page that hasn't been prepared - it is a raw vintage book page glued into an altered book.  If I applied this straight onto the page I would end up removing the page around the transfer with the wet sponge - so I've used the gel on the entire page to seal it and protect it from the water used in the fiber removal. Same process with application of gel on the image - brushing on and quickly adhering.

 
After transfer is dry - remove with wet sponge and fingers.

I really enjoy the effect of the text coming through the image!! 

An example of a colour photo transfer - I applied it to a Gessoed page - then I painted the background around the transfer.

Another black and white image applied to a vintage book page - before applying the image I brushed gel over the entire page.  The image was cut not ripped - the left hand side rubbed off quite well and I like the grungy ripped look - but the right side did not cooperate! That is how it goes with transfers - not always as planned.

This example was applied to a collaged surface - kind of interesting how the different colours of the pages shows through.

I hope this was clear and concise - if you have any questions please do not hesitate to ask.  I will do my best to answer or find answers for you.

Have fun with gel transfers!!